WIRE โ€” Reviewer: Professor Olu Obafemi Professor Iyorwuese Hagher's A Portrait of Paradise arrives like a furious wind from the postcolonial tropics โ€” prophetic, theatrical, grotesque, and morally wounded. It is the kind of African political novel that rejects the polite discipline of realism. Instead, it opts for excess, allegory, satire, lamentation, and visionary rage. In its

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